Woman's Voice Home Voices

 

 
 D o e p f e r    A - 100
Connections: Settings:
A-185 (CV Out)  <=>  A-170 (In)
A-170 (Out)  <=>  A-120 (CV 1)
A-176 (CV 2)  <=>  A-130 (CV 1)
A-147 (Sine)  <=>  A-130 (Audio In 1)
A-130 (Audio Out)  <=>  A-120 (CV 2)
A-120 (Audio Out)  <=>  A-116 (Audio In)
A-116 (Audio Out)  <=>  A-125 (Audio In)
A-176 (CV 1)  <=>  A-125 (CV)
A-125 (Audio Out)  <=>  A-128 (Audio In)
A-128 (Audio Out)  <=> Amplifier
A-120 (Freq = 2.8, CV 2= 1.5, Lev = 9.8, Res = 10)
A-116 (Lev = 8, Clip Level = 6, Sym = 2.5)
A-125 (Level = 10, Shift = 4.8, CV = 4.8, Res = 10, Mix = 10)
A-128 (All at 0, except:  750 = 10, 1100 = 4.1)
A-170 (Time = 4)
A-147 (Freq = 6.4)
A-176 (CV 1 = 1, Fine = 6, CV 2 = 1.5, Fine = 0)
A-130 (Gain = 0, Audio In 1 = 10,  Audio Out = 10)
Notes:   
LP filter generates sine, which is "dirtied" by A-116 Wave Processor. Sound is then shaped by phase shifter and filter bank to get "Ah" formants. CV source controls "Ah" sound plus vibrato. VCA is used on vibrato as a gate to get finer control. Vary CV1 to get the best "Ah."
Note: There is no final VCA in this loop, so sound is always on.
Voice is centered around C2 on keyboard. Range is G1-A2.
John A. Mitchell, April 2001 

 
 



       
Sound   samples


Neverglades (cutting out)    
Woman's Voice    
Woman's Voice (with reverb)